Why Indie Authors Win: Unlikable Characters That Work
Corporate Publishing Neuters Storytelling
Everyone tells you to make your characters more likable, but in the modern publishing landscape, that’s often the worst advice you can follow as a writer. Netflix’s adaptation of Hunting Wives is just one example that proves flawed, unlikable characters are actually what audiences crave—not the sanitized, corporate-approved heroes flooding modern fiction.
Publishing’s obsession with “safe” characters is creating a slop epidemic of bland stories that say nothing and bore everyone, including the very people they’re trying to please. It’s time to let your characters tell uncomfortable truths and be genuinely human—even if that makes them unlikable.
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I truly don’t understand how a literary culture that created Fear and Loathing in Las Vegas, American Psycho, Post Office, Fight Club and Blood Meridian has devolved into this cozy slop fest. Like, at what point did ironic reflection made by boring people take over?
I'd love to ask Thomas Harris why he made Hannibal Lecter so darn likeable.